Andreas Voigt's fourth documentary shot on the streets of Leipzig follows a group of radical young people in the winter of 1992–93. The changes in the city are striking: splendid new malls; many unemployed people; and despairing, angry youth for whom violence has become commonplace.
Ed Martin witnesses a murder at the American hotel where he works.
An official function includes a piano concert. The pianist pours his soul into his performance, but the audience wants more than spiritual sustenance.
Helene rides her motor scooter by Fritz, the “White Mouse,” every morning as he directs traffic through the intersection. Though he yields the right-of-way to her often, they have never spoken and she wants more than his friendly gesture.
The brothers Theo and Gustav Benthin pull profits through smuggling in divided Germany: Theo in the West and Gustav in the East. The East German police catch on quickly, however, and Gustav is arrested.
Berlin in the 1960s. Olaf (Dieter Mann) and Horst (Kaspar Eichel) are two young metalworkers, who provoke their older colleagues with critiques of the antiquated equipment and lack of materials...
Mid-1950s Berlin, before the building of the Wall. Uschi, a salesgirl and aspiring fashion model from the East, is attracted to Hans, from the West. But she also loves the bright shop windows in his part of the city.
East Berlin is presented as an international city with modern possibilities for work and family life. In addition to tourist attractions and daily life, the film depicts the military parade for Labor Day on May 1 as well as the SED 20th anniversary celebration.
They are East Berlin teenagers. They want to be free—to dance to rock’n’roll, trade forbidden western goods and get away from the constraints of their parents and the state. This classic 1950’s teen cult film became a box-office hit and was greeted with suspicion by East German officials.
The Prenzlauer Berg band Herbst in Peking plays at an abandoned strip of the Berlin Wall and sings “We need a revolution. The system ain’t gonna change, unless we make it change.” This 1987 song accompanied the changes in the GDR, but at this point, this country is already almost history!